神游那段很好, wandering from psychedelic to Coca Cola capitalism in Baudrillard’s desert of the real; the liveness of labor simultaneity in (post)socialist bureaucratic 开会 temporality;那个长长的走廊和不断打开的门印象很深;开头结尾那个噩梦惊醒的camera pan其实很有趣美女露胸这样打破传统叙事空间和pov的cinematography算不算ultrastable system对medium opacity的一种思考呢
夜横秋:171.8.193.192
Home is where it hurts...一个离家12年的小gay临死回家做告别未遂的故事同样是拍离开家又再回来比Krisha好太多了吧......